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kopper said:And I was also one of those kooks who was listening to ELO and Queen, too. So sue me. ;)
Ha! Well you may have been listening to those Kopper, but I doubt you were one of those kook types I was refering to. We'll just rack it up to youthfull experimentation on your part.....now what did I do with that Blondes Have more Fun picture disc my brother gave me in the 7th grade?
The first album is amazing - one of the best albums of all time by any band, any genre, and is in many ways the very definition of what punk meant in the late 70s. Give 'em Enough Rope is really, really good. London Calling is just okay. Sandinista, Combat Rock, and Cut the Crap all suck. Those three albums combined have three good songs total. Two of those three songs, Should I Stay or Should I Go and Rock the Casbah are overplayed to the point where I am no longer able to derive any pleasure from hearing them. The third, and the only worthwhile song on the 3 disc monstrosity that is Sandinista, is Police on My Back, which is a cover.
No, I still listen to ELO (not so much Queen, though, I admit). I have a lot of tastes that go way beyond the world of garage-punk. In fact, I'd love to get my hands on the Zoom LP that came out in 2001 to rave reviews but that's now OOP. Anyone have a copy? I'll even settle for MP3s at this point.
Mike said:kopper said:And I was also one of those kooks who was listening to ELO and Queen, too. So sue me. ;)
Ha! Well you may have been listening to those Kopper, but I doubt you were one of those kook types I was refering to. We'll just rack it up to youthfull experimentation on your part.....now what did I do with that Blondes Have more Fun picture disc my brother gave me in the 7th grade?
Not Punk?Punk?Arse?Ass?....Let's call the whole thing off!I lived thru the punk thing in the UK and in my view The Clash were punk. Punk in itself didn't last that long, but punks of that time did. What they created could be described any way you like. The fact is that the people involved in the early British punk movement were creative, active, making statements, energetic and kicking out the crap. The fact that they flew off in different directions is a testament to how great the movement was at the time; the fact that these bands were not tied down to a narrow idea of what punk should be is all to their credit. The bands that followed that called themselves punk (the little brothers' bands), and any other band that reckons to play punk rock since, can't hold a candle to the people in this early movement in UK and other scenes round the world. So the question of whether The Clash are punk is irrelevant really, whether their later albums were punk is also. Punk was about a lot more than music, it was a revolution. These recent bands that think they're making punk rock are about as punk as my arse.
Well you read this shit... ;)Who cares.
I completely agree. I get shit every time I bring this discussion up. Granted I love some of The Clash's tunes but there is something phony about strummer when he is being interviewed. I can't quite pin point it. But watch both The Ramones documentary ( End of the Century) and The Clash documentary (The Future is Unwritten) back to back and you might see what I mean.)
Fierce Play said:I completely agree. I get shit every time I bring this discussion up. Granted I love some of The Clash's tunes but there is something phony about strummer when he is being interviewed. I can't quite pin point it. But watch both The Ramones documentary ( End of the Century) and The Clash documentary (The Future is Unwritten) back to back and you might see what I mean.)
I AGREE! I was again disapointed by The Future Is Unwriten, I want to love this guy, but he seems totaly uninspired like boring musiscians or something. If you see The Filth and the Fury (the Sex Pistols Dir by Julien Temple) the difference is striking (Lydon seems honest and inspired, and suprisely more "social" than Strummer. Excuse my bad english.
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