It is typical of Marxism to view art and culture as a epiphenomena ("superstructure" I believe is the correct jargon) of economics. The first Marxist art critic was Marx himself, writing in “A Contribution to the Critique of Political Economy":
. . . is Achilles possible side by side with powder and lead? Or is the Iliad at all compatible with the printing press and the steam press? Does not singing and reciting and the muses necessarily go out of existence with the appearance of the printer…
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Posted on May 18, 2009 at 7:05pm —